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Portal:Arts

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The Arts Portal


An artist's palette

An artist's palette


The arts refers to the theory and physical expression of creativity found in human societies and cultures. Major constituents of the arts include literature (including drama, poetry, and prose), performing arts (among them dance, music, and theatre), and visual arts (including drawing, painting, filmmaking, architecture, ceramics, sculpting, and photography).

Some art forms combine a visual element with performance (e.g., cinematography) or artwork with the written word (e.g., comics). From prehistoric cave paintings to modern day films, art serves as a vessel for storytelling and conveying humankind's relationship with the environment.

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The Northwest Exelon Pavilion, which serves as Millennium Park's Welcome Center
The Exelon Pavilions are four structures which generate electricity from solar energy and provide access to underground parking in Millennium Park in the Loop community area of Chicago in Cook County, Illinois, US. The pavilions provide sufficient energy to power the equivalent of 14 Energy Star-rated energy-efficient houses in Chicago. The four pavilions, which cost $7 million, were designed in January 2001; construction began in January 2004. The South Pavilions were completed and opened in July 2004, while the North Pavilions were completed in November 2004, with a grand opening on April 30, 2005. In addition to producing energy, three of the four pavilions provide access to the parking garages below the park, while the fourth serves as the park's welcome center and office. Exelon, a company that generates the electricity transmitted by its subsidiary Commonwealth Edison, donated $5.5 million for the pavilions. Chicago Tribune architecture critic Blair Kamin praised the South Pavilions as "minor modernist jewels", but criticized the North Pavilions as "nearly all black and impenetrable". The North Pavilions have received the Leadership in Energy and Environmental Design (LEED) silver rating from the United States Green Building Council, as well as an award from the American Society of Heating, Refrigerating and Air-Conditioning Engineers.

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A self-portrait of Louis-Marie Autissier (1772–1830), a French-born Belgian portrait miniature painter. He is considered the founder of the Belgian school of miniature painting in the nineteenth century. Born at Vannes, in Brittany, he joined the French Revolutionary Army at Rennes in 1791. On leaving the army in 1795, Autissier went to Paris and trained his art by studying paintings at the Louvre. In 1796 he settled in Brussels, but continued to divide his time between Belgium, the Netherlands, and France. Although he enjoyed great success in his career, serving as court painter to Louis Napoleon, French King of the Netherlands, and later to Willem I, Autissier died penniless.

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Lobby room, Suffern post office

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Self-portrait of Mary Cassat

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Abbas Kiarostami
Abbas Kiarostami (born 1940) was an internationally acclaimed Iranian film director, screenwriter, photographer and film producer. An active filmmaker since 1970, Kiarostami has been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker Trilogy (1987–94), Taste of Cherry (1997), and The Wind Will Carry Us (1999). Kiarostami has worked extensively as a screenwriter, film editor, art director and producer and has designed credit titles and publicity material. He is also a poet, photographer, painter, illustrator, and graphic designer. Kiarostami is part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Forough Farrokhzad, Sohrab Shahid Saless, Mohsen Makhmalbaf, Bahram Beizai, and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami has a reputation for using child protagonists, for documentary style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras.

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A 12th-century song by Comtessa Beatritz de Dia, "A Chantar" is the only existing song by a trobairitz which survives with its music.

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